The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
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Strange Canon
Universidad Nacional de la Matanza
Departamento de Ingeniería e Investigaciones Técnicas
Carrera de Arquitectura
Forma 3 y 4
2020
Professors Santiago Miret y Lucas Roldán
Students Lucas Pona Matías Varano, Facundo Sarmoria, María Eugenia Duca Florencia Leiva, Micaela Herbon, Julián Amaya, Gonzalo Cullari, Florencia Hernandez, Camila Raimunda Zugasti, Damián Cavalotto, Facundo Zito, Iara Gentile, Juan Ignacio Bellometi, Leandro Maciel, Andrea Samaniego, Abril Tossi, María Victoria Cavo, Agustina Caparrotta, Malen Carnovali, Vanesa Casco, Maia Heredia, Jessica Marques, Carolina Curto, Federico Lacaria, Oriel Tauss, Chirino Parra Miguel Andres, Ponomareff Tomas David, Rolero Aylen Nahir, Mastroianni Brenda Julieta, Mele Tamara Antonella, Perez Rodrigo Tomas, Castagnola Aixa Belén, Questa Agustina, Simonelli Maira Ailen, Aguirre Sandra Viviana, Bordazahar Jonatan Martin, Larroquette Maria Victoria, Orgambide Camila Aylen, Preiti María Camila, Tafuro Agustina Rosario, Almaraz Ruquet Lautaro Ivan, Heredia Villca Carlos Wilson, Ravnik Lucas Martin, Garcia Bottazzo Trinidad, Lukjanionok Sol Melina, Monteagudo Melany, Schenone Melina Mariela, Federico Solange Anabel, Meza Mareco Melisa, Duarte Santiago Federico, Ortiz María Eva and Flores Lopez Jessica Candela.
Architecture, perhaps more than any other discipline, deals with the problem of material organization. That is, the way in which elements are arranged to build geometric organizations. The singularity of these organizations is defined by regulations that determine the ways in which the project is potentially capable of varying. The notion of canon that interests us is not that related to convention, that is, what is canonical by common agreement is not relevant to us. This research deals with the canonical as the possibility of constructing singularity in those works that transcend their time. The canonical as that which determines a problematization of what is considered constant.
Canon Extraño works with projects that, without necessarily forming part of the consecrated works of the discipline of Architecture, present singular complexities. The works studied are not canonical because of their easy identification, their recurring appearance in history books or their award-winning career, but because they emerge as organizations with a more sophisticated singularity that transcends their historical context and time. In this way, the study and intensification of its conditions of singularity is sought, with the aim of arriving at organizations where this strange canonical singularity is explicit.