The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
KPY 1139
Universidad Nacional de la Matanza
Departamento de Ingeniería e Investigaciones Técnicas
Carrera de Arquitectura
Historia y Crítica VI
Cátedra Martín Iglesias
Workshop
KPY 1139
2019
Profesores Santiago Miret y Melisa Brieva
Estudiantes Lucas Galiano, Lucas Grano, Micaela Cabrera, Sebastián Sotomayor, Jonathan Gómez Rojas, Lucía Sánchez, Rocío Ganduglia, Guadalupe Dimasi, Micaela Yeates, Delfina Lorenzatti, Lesly López, Narela Distefano, Jessica Benítez, Carla López, Carolina Tripodoro, Camila Farana, Yanina González Palacio, Mauro Smith, Daniel Vega, Alejandro Spada de Conti, Luciano Luna, Adriana Goicoechea, Lara Núñez, Gabriel Gullé, Sabrina Vega, Florencia Villar, Avigail Vázquez, Jessica Francica, Gonzalo Mendez, Maximiliano Ibarra, Virginia Donato, Bárbara Pernielo, Julián Ariel Lozza, Matías Stoessel, Diego Salina, Pablo Medina y Florentina Ferrari
El proyecto de la Arquitectura en la actualidad se encuentra atravesado por temas ajenos a una disciplina cuyos principios son profundamente especulativos. Problemáticas provenientes desde el campo social impulsando visiones antropocéntricas, temáticas retrógradas producto de un revival histórico conservador, posicionamientos emergentes de tendencias del political correctness tergiversando fines disciplinares en propuestas desde el sentido común, han consolidado un panorama disciplinar desolador, poco imaginativo y, sobre todo, banal. KPY 1139 propone volver a las fuentes de una disciplina alegremente proyectual, indagando en las bases de la más elocuente narrativa proyectiva: el cine de ciencia ficción.
Se apunta al desarrollo de arquitecturas con un alto grado de especulación respecto de modalidades de organización arquitectónica que impulsen a la consideración de escenarios absolutamente posibles, cargados de una desprejuiciada imaginación disciplinar. Informado desde modalidades de representación arquitectónicas, por un lado, y relatos de la ciencia ficción por el otro, KPY 1139 apunta a desestructurar la rígida formalidad contemporánea, burocráticamente preocupada por el "bien común" y las "buenas intenciones", hundiendo las narices en visiones futurísticas, con la implícita hipótesis de que el proyecto de Arquitectura es futuro.
