The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
Paisajes Productivos
2019
Santiago Miret y Melisa Brieva
Colaboradora Belén Iliev
Los protocolos productivos de energía son los nuevos paisajes globales. La presente investigación los reclama para la arquitectura, bajo la hipótesis de que esta tiene el poder de organizar ecologías, tanto naturales como artificiales, reuniéndolas, no siendo una al servicio de la otra, o atacando mutuamente, pero constituyendo conglomerados imposibles de discriminar. Esta integración debe superar el enfoque moralista de los ideales románticos de la naturaleza.
Las ecologías contemporáneas están conformadas de producción y destrucción, material orgánico y maquinaria. La sincronicidad, la extensión excesiva, la hermeticidad, la concentración violenta de energía, son valores que comparten el paisaje y la producción masiva. A través de ellos es posible la aparición de nuevos modelos no binarios.
El objetivo del estudio es la construcción de paisajes artificiales que contengan ecologías proyectivas provenientes del estudio de protocolos productivos de energía, pero cuyos objetivos son mucho más amplios. El fin último es la creación de un paisaje proyectivo que reconozca una discusión contemporánea donde se pueda reiniciar la relación entre lo natural y lo artificial, así como la producción y la destrucción. En este sentido, el proyecto arquitectónico puede discutir con conglomerados de producción global y empresas, así como con gobiernos metropolitanos. Es un proyecto que opera des-velando, y no denunciando o siendo reaccionario. Una organización arquitectónica que puede manejar maquinaria pesada y naturaleza pesada, gracias a las vastas ecologías del antropoceno tardío.
