The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
The building is structured as a central organization, whose programmatic core is the auditorium, and which, mediated by a circulatory bellows, deploys leisure and educational programs on the perimeter. The public programs of general access deploys in the outer ring of the ground floor, towards the Rodrigo Bueno neighborhood, the access, the bar and the library, with semi-covered areas extend the programs to the exterior.
The exhibition areas, both covered and semi-covered, are located towards the Ecological Reserve. Located in the center of the building, the auditorium has a permeable perimeter enclosure system that can be opened expanding its spatiality, extending its interior to the spaces of the entrance hall, the library and the exhibition hall. This modality enhances the use of the auditorium and makes a dynamic space that supports multiple uses even more flexible and expandable.
The building generates series of expansions both on the ground floor and on the top floor. The expansions are understood as extensions of the quality of the interior space in semi-covered and uncovered spaces. In the case of the library, the expansion is the connection with the bar, giving the possibility of the appearance of a hybrid space where the activities of both programs can be integrated.
Peter Eisenman
Forma y Abstracción
Year:
2024
Editor:
Client:
Client:
Client:
Client:
Year:
Client:
2024
This book is the first in the Concepts Series, dedicated, on the one hand, to great architects of today who have an undeniable influence on contemporary practice. On the other hand, each of these publications focuses on central themes of architecture as a cultural practice.
From Vitruvius's Ten Books of De Architectura, through Renaissance treatises such as Alberti's De re Aedificatoria, to the efforts at conceptual clarification by 19th-century French thinkers such as Quatremere de Quincy with his Dictionary of Architecture, to more recent treatises such as Robert Venturi's Complexity and Contradiction in Architecture, Jesse Reiser and Nanako Umemoto's Atlas of Novel Tectonics, or Patrik Schumacher's two-volume The Autopoiesis of Architecture, all of them have aimed to put into words the concepts and figures that make up an increasingly broad discipline whose scope becomes progressively more uncertain.
Diseño/Nobuko
ISBN:
978-1-64360-780-1
Authors:
Santiago Miret and Maximiliano Schianchi
